{"id":43,"date":"2016-09-25T09:03:41","date_gmt":"2016-09-24T21:03:41","guid":{"rendered":"https:\/\/queerresonance.wordpress.com\/?p=43"},"modified":"2018-07-30T22:05:57","modified_gmt":"2018-07-30T10:05:57","slug":"ivan-lupis-circadian-rhythm-2","status":"publish","type":"post","link":"https:\/\/ivanlupi.com\/index.php\/2016\/09\/25\/ivan-lupis-circadian-rhythm-2\/","title":{"rendered":"&#8216;Doorway&#8217;"},"content":{"rendered":"<p>I stand at one side of the doorway of an art gallery. My half body facing the outside is suited. The other half facing the inside of the gallery is naked.<br \/>\n<span class=\"text_exposed_show\"><br \/>\n<\/span><\/p>\n<div id=\"attachment_42\" style=\"width: 2146px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-42\" data-attachment-id=\"42\" data-permalink=\"https:\/\/ivanlupi.com\/ufficiale2521-516\/\" data-orig-file=\"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2016\/09\/ufficiale2521-516.jpg?fit=2136%2C3264&amp;ssl=1\" data-orig-size=\"2136,3264\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 5s&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1462624983&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.15&quot;,&quot;iso&quot;:&quot;32&quot;,&quot;shutter_speed&quot;:&quot;0.0027777777777778&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ufficiale2521-516\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2016\/09\/ufficiale2521-516.jpg?fit=670%2C1024&amp;ssl=1\" class=\"alignnone size-full wp-image-42\" src=\"https:\/\/queerresonance.files.wordpress.com\/2016\/09\/ufficiale2521-516.jpg?resize=900%2C1375\" alt=\"ufficiale2521-516\" width=\"900\" height=\"1375\" srcset=\"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2016\/09\/ufficiale2521-516.jpg?w=2136&amp;ssl=1 2136w, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2016\/09\/ufficiale2521-516.jpg?resize=196%2C300&amp;ssl=1 196w, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2016\/09\/ufficiale2521-516.jpg?resize=768%2C1174&amp;ssl=1 768w, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2016\/09\/ufficiale2521-516.jpg?resize=670%2C1024&amp;ssl=1 670w, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2016\/09\/ufficiale2521-516.jpg?resize=2000%2C3056&amp;ssl=1 2000w, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2016\/09\/ufficiale2521-516.jpg?resize=1300%2C1987&amp;ssl=1 1300w, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2016\/09\/ufficiale2521-516.jpg?resize=300%2C458&amp;ssl=1 300w, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2016\/09\/ufficiale2521-516.jpg?w=1800&amp;ssl=1 1800w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><p id=\"caption-attachment-42\" class=\"wp-caption-text\">From: &#8216;Ivan Lupi&#8217;s Circadian Rhythm&#8217;, &#8216;Doorway&#8217;, performance. Art Karoo. Oudtshoorn. South Africa. Picture by Wilhelm Vincent.<\/p><\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I stand at one side of the doorway of an art gallery. My half body facing the outside is suited. The other half facing the inside of the gallery is naked. &nbsp;<\/p>\n","protected":false},"author":1,"featured_media":42,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[10,16,26,28,30,32],"class_list":["post-43","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-residencies","tag-censorship","tag-embodiment","tag-nakedness","tag-nudity","tag-performance-art","tag-philosophy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2016\/09\/ufficiale2521-516.jpg?fit=2136%2C3264&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8EPTR-H","jetpack-related-posts":[{"id":207,"url":"https:\/\/ivanlupi.com\/index.php\/2017\/10\/19\/bench\/","url_meta":{"origin":43,"position":0},"title":"&#8216;BENCH&#8217;","author":"ivanlupi","date":"19th October 2017","format":false,"excerpt":"Read the article:\u00a0http:\/\/www.visualeyez.org\/2017\/12\/18\/ivan-lupi-bench\/","rel":"","context":"In &quot;Art Festivals&quot;","block_context":{"text":"Art Festivals","link":"https:\/\/ivanlupi.com\/index.php\/category\/art-festivals\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2017\/10\/DSC_1393.jpg?fit=1200%2C797&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2017\/10\/DSC_1393.jpg?fit=1200%2C797&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2017\/10\/DSC_1393.jpg?fit=1200%2C797&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2017\/10\/DSC_1393.jpg?fit=1200%2C797&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2017\/10\/DSC_1393.jpg?fit=1200%2C797&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2262,"url":"https:\/\/ivanlupi.com\/index.php\/2023\/02\/17\/salut\/","url_meta":{"origin":43,"position":1},"title":"&#8216;SALUT&#8217;","author":"ivanlupi","date":"17th February 2023","format":false,"excerpt":"Lupi personifies messages starkly, in ways which often remain marked indelibly on the artist's body and firmly in the memories of those who view them. The body is central with tattoo, with scarification, with pain, with blood. For\u00a0Salut this makes a clear connection with HIV, with the fear of transmission,\u2026","rel":"","context":"In &quot;Art Festivals&quot;","block_context":{"text":"Art Festivals","link":"https:\/\/ivanlupi.com\/index.php\/category\/art-festivals\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2023\/02\/DJI_0060-18.jpg?fit=1000%2C749&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2023\/02\/DJI_0060-18.jpg?fit=1000%2C749&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2023\/02\/DJI_0060-18.jpg?fit=1000%2C749&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2023\/02\/DJI_0060-18.jpg?fit=1000%2C749&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":463,"url":"https:\/\/ivanlupi.com\/index.php\/2020\/07\/25\/a-private-requiem\/","url_meta":{"origin":43,"position":2},"title":"&#8216;A PRIVATE REQUIEM&#8217;","author":"ivanlupi","date":"25th July 2020","format":false,"excerpt":"From: 'A private requiem' - Long durational performance. The Vivian Gallery (Matakana 2018) Credits: Craig Ray. Worldwide, approximately 40 million children below the age of 15 are subjected to child abuse each year. The piece deals with Lupi's personal experience of child abuse and offers an exploration on trauma-related performative\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/ivanlupi.com\/index.php\/category\/exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2020\/07\/P1022516-scaled.jpg?fit=1200%2C880&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2020\/07\/P1022516-scaled.jpg?fit=1200%2C880&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2020\/07\/P1022516-scaled.jpg?fit=1200%2C880&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2020\/07\/P1022516-scaled.jpg?fit=1200%2C880&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2020\/07\/P1022516-scaled.jpg?fit=1200%2C880&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2611,"url":"https:\/\/ivanlupi.com\/index.php\/2023\/08\/19\/together-at-a-given-distance-in-space-and-time-untimely-series\/","url_meta":{"origin":43,"position":3},"title":"&#8216;TOGETHER AT A GIVEN DISTANCE IN SPACE AND TIME&#8217; (Untimely series)","author":"ivanlupi","date":"19th August 2023","format":false,"excerpt":"Performances: Ivan Lupi: 'TOGETHER AT A GIVEN DISTANCE IN SPACE AND TIME' \"I walk in circles on a canvas surface. From time to time I open wounds on the soles of my feet. The audience is invited to take their shoes off and join the walk\". ... Eve De Castro-Robinson:\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/ivanlupi.com\/index.php\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2023\/08\/9.jpg?fit=1200%2C801&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2023\/08\/9.jpg?fit=1200%2C801&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2023\/08\/9.jpg?fit=1200%2C801&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2023\/08\/9.jpg?fit=1200%2C801&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2023\/08\/9.jpg?fit=1200%2C801&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":327,"url":"https:\/\/ivanlupi.com\/index.php\/2018\/08\/27\/x-one-to-one-durational-performance\/","url_meta":{"origin":43,"position":4},"title":"&#8216;X&#8217; one to one durational performance","author":"ivanlupi","date":"27th August 2018","format":false,"excerpt":"Black 'X' - Limited edition print. Credits: Craig Ray In 'X' the artist stands behind a custom made polling booth and invites the audience to 'secretly' mark his hands with the 'X' symbol using a tattoo machine. Each member can choose which hand to mark and they are allowed one\u2026","rel":"","context":"In &quot;Art Festivals&quot;","block_context":{"text":"Art Festivals","link":"https:\/\/ivanlupi.com\/index.php\/category\/art-festivals\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2018\/08\/hands_white_medium.jpeg?fit=1200%2C848&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2018\/08\/hands_white_medium.jpeg?fit=1200%2C848&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2018\/08\/hands_white_medium.jpeg?fit=1200%2C848&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2018\/08\/hands_white_medium.jpeg?fit=1200%2C848&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2018\/08\/hands_white_medium.jpeg?fit=1200%2C848&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2429,"url":"https:\/\/ivanlupi.com\/index.php\/2023\/05\/23\/durational-rapture-untimely-series\/","url_meta":{"origin":43,"position":5},"title":"&#8216;DURATIONAL RAPTURE&#8217; (Untimely series)","author":"ivanlupi","date":"23rd May 2023","format":false,"excerpt":"From: 'Durational rapture' as part of 'Ivan Lupi's Untimely series'. Scott Lawrie Gallery. Auckland, 2023. Credits: V. Garg The artist's mother passed at the age of 39, when Lupi was 8. In the action, Lupi interacts with three of her original belongings. The audience is invited to be part of\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/ivanlupi.com\/index.php\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2023\/05\/87EC32E7-1E7A-438C-B794-291F801BC13B-scaled.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2023\/05\/87EC32E7-1E7A-438C-B794-291F801BC13B-scaled.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2023\/05\/87EC32E7-1E7A-438C-B794-291F801BC13B-scaled.jpg?fit=1200%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2023\/05\/87EC32E7-1E7A-438C-B794-291F801BC13B-scaled.jpg?fit=1200%2C1200&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/ivanlupi.com\/wp-content\/uploads\/2023\/05\/87EC32E7-1E7A-438C-B794-291F801BC13B-scaled.jpg?fit=1200%2C1200&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/ivanlupi.com\/index.php\/wp-json\/wp\/v2\/posts\/43","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ivanlupi.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ivanlupi.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ivanlupi.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ivanlupi.com\/index.php\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":3,"href":"https:\/\/ivanlupi.com\/index.php\/wp-json\/wp\/v2\/posts\/43\/revisions"}],"predecessor-version":[{"id":315,"href":"https:\/\/ivanlupi.com\/index.php\/wp-json\/wp\/v2\/posts\/43\/revisions\/315"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ivanlupi.com\/index.php\/wp-json\/wp\/v2\/media\/42"}],"wp:attachment":[{"href":"https:\/\/ivanlupi.com\/index.php\/wp-json\/wp\/v2\/media?parent=43"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ivanlupi.com\/index.php\/wp-json\/wp\/v2\/categories?post=43"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ivanlupi.com\/index.php\/wp-json\/wp\/v2\/tags?post=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}